HD-2 was launched in November 2012 and was recently updated to accommodate 3G productions. It is a 53ft unit with a 45 x 5ft expand and an open concept layout. Its cutting-edge, state-of-the-art HD technology is built on a platform of the latest video and audio broadcast equipment that can handle the most demanding production challenges.
Mobile Production Units
The Latest in Video & Sound Studio Technology. Ready to Roll.
HD-2 Expando
HD-2 Expando
Specs
Equipment List
Production
SWITCHER
- GVG 400/35 HD Kayenne K Frame Production Switcher 4/5 – M/E 96 input
- 20 transform engines, internal still store with KlipCache, Kurl, Spektra, Lighting, Glow, Defocus Effects
ROUTER
- Utah 400 HD
- 528 × 528 HD Router
- 48 × 48 embedded, 384 × 384 MADI
- 64 × 64 AES and 36 x 36 analog Stereo audio router
GRAPHICS
- Wired for 2 graphics units
MONITORING
- Ikegami HD LCD Monitors with built in scopes
- Miranda Multi-Views throughout the truck
Audio
CONSOLE
- Calrec Artemis Light Blue Fin Digital Mixing Desk with full EQ, wired for Dolby Surround Sound & Pro Logic Encoder – 72 x 56 analog
- 64 × 64 AES
- 384 × 384 MADI
ACCESSORIES
- (2) Digi-Cart E with RC-220 (1w/ zip drive and 1 w/SD drive)
- (10) dbx compressor/limiters
- Denon CD player
- Full complement of headsets and accessories
- Full complement of Microphones ( 4- Sennheiser ME66, 2-Crown PCC-160, 6- ElectroVoice 635, 4- Sennheiser MD46, 4- Sennheiser MKH416P48, 8- Sony ECM77B, 2- Sennheiser MKH7048P
- ESPN Spec. DaySequerra gear
INTERCOM
- RTS Adam intercom system w/96 x 96 matrix; MADI interface
- 12 Channel TW Intercom KP32, KP12
- RTS 8 channel IFB system
- RVON-16
- (6) TIF2000A
- (4) audio phone coupler – Panasonic 6 line key system with patchable incoming lines
- UHF 2-way radio system (2 bases & 6 walkies)
Video
CAMERAS
- (8) Sony Fiber Base Stations
- (2) Ikegami Triax/Fiber Base Stations
- (8) Sony 3500 Handheld Cameras
- (2) Ikegami HDK-77EC2 Handheld Cameras
- (6) Canon Sleds with 7” viewfinders
- Sony Cameras capable of SMPTE Fiber (wired for 16)
- Ikegami Cameras capable of either Triax or Fiber
- (8) Single Mode Sheds
- (2) LPS (HD) Cameras
LENSES
- (1) Canon XJ100 x 9.3 with image stabilization
- (2) Canon XJ 86 x 9.3 with image stabilization
- (3) Canon XJ 72 x 9.3 with image stabilization
- (2) Canon HJ 22 × 7.8
- (1) Canon KJ 20 x 8.2
- (1) Canon HJ 14 × 4.3 wide angle
CAMERA SUPPORT
- (6) Vinten 750 pan heads on Quickset sticks
- (4) ENG Miller Arrow 40 heads & sticks
FRAME SYNC (24 Total)
- (2) AJA FS1 HD Frame Syncs with up/down converting (2 Frame Syncs)
- (2) AJA FS1x HD Frame Syncs with up/down converting (2 Frame Syncs)
- (2) AJA FS2 HD Frame Syncs with up/down converting (4 Frame Syncs)
- (2) AJA FS4 HD Frame Syncs with up/down converting (8 Frame Syncs)
- (1) Cobalt 9901 HD Frame Syncs with up/down converting (1 Frame Syncs)
- (7) Cobalt 9902 HD Frame Syncs with up/down converting (7 Frame Syncs)
- (10) Utility Cobalt Broadcast Quality Down converters
- (10) Utility Cobalt Broadcast Quality Up converters
Fiber Transport
- (3) AJA 2T
- (3) AJA 2R
- (2) AJA TR
- (6) Black Magic T/R Cards (available in the I/O)
- (1) AJA 2T Card (available in the I/O)
- (2) AJA 2R Card (available in the I/O)
- (1) 1×10 Joseph’s Fiber Mux System
- (2) 1×4 Fiber Mux System
- (1) 1×8 Fiber Mux System
Tape
EVS
- (2) 8 ch EVS HD (LSM) VIA2
- (1) 6 ch EVS HD (LSM) VIA2
- (1) 4 ch EVS HD VIA2 Spot Box
- (1) EVS VIA Xfile3
- (Wired for 6 EVS)
CLIP PLAYERS
- Lance TDC 100 Controller
Misc.
CABLE
- 1700 feet of Triax and SMPTE (2-500’, 2-250’ and 2 100’)
- 4800 feet of DT – 12 (4-500’, 8-250’ and 8-100’)
- 6800 feet of SMPTE (8-500’, 8-250’ and 8-100’)
- TAC – 12 Fiber (1) 1000′ (1) 500′ and (1) 250′
POWER REQUIREMENTS
- 200 amps Three Phase
Monitor Wall
Truck Layout