Mobile Production Units

The Latest in Video & Sound Studio Technology. Ready to Roll.

HD-2 Expando

HD-2 Expando

HD-2 was launched in November 2012 and was recently updated to accommodate 3G productions. It is a 53ft unit with a 45 x 5ft expand and an open concept layout. Its cutting-edge, state-of-the-art HD technology is built on a platform of the latest video and audio broadcast equipment that can handle the most demanding production challenges.

Specs

Production

SWITCHER

  • GVG 400/35 HD Kayenne K Frame Production Switcher 4/5 – M/E 96 input
  • 20 transform engines, internal still store with KlipCache, Kurl, Spektra, Lighting, Glow, Defocus Effects

ROUTER

  • Utah 400 HD
  • 528 × 528 HD Router
  • 48 × 48 embedded, 384 × 384 MADI
  • 64 × 64 AES and 36 x 36 analog Stereo audio router

GRAPHICS

  • Wired for 2 graphics units

MONITORING

  • Ikegami HD LCD Monitors with built in scopes
  • Miranda Multi-Views throughout the truck

Audio

CONSOLE

  • Calrec Artemis Light Blue Fin Digital Mixing Desk with full EQ, wired for Dolby Surround Sound & Pro Logic Encoder – 72 x 56 analog
  • 64 × 64 AES
  • 384 × 384 MADI

ACCESSORIES

  • (2) Digi-Cart E with RC-220 (1w/ zip drive and 1 w/SD drive)
  • (10) dbx compressor/limiters
  • Denon CD player
  • Full complement of headsets and accessories
  • Full complement of Microphones ( 4- Sennheiser ME66, 2-Crown PCC-160, 6- ElectroVoice 635, 4- Sennheiser MD46, 4- Sennheiser MKH416P48, 8- Sony ECM77B, 2- Sennheiser MKH7048P
  • ESPN Spec. DaySequerra gear

INTERCOM

  • RTS Adam intercom system w/96 x 96 matrix; MADI interface
  • 12 Channel TW Intercom KP32, KP12
  • RTS 8 channel IFB system
  • RVON-16
  • (6) TIF2000A
  • (4) audio phone coupler – Panasonic 6 line key system with patchable incoming lines
  • UHF 2-way radio system (2 bases & 6 walkies)

Video

CAMERAS

  • (8) Sony Fiber Base Stations
  • (2) Ikegami Triax/Fiber Base Stations
  • (8) Sony 3500 Handheld Cameras
  • (2) Ikegami HDK-77EC2 Handheld Cameras
  • (6) Canon Sleds with 7” viewfinders
  • Sony Cameras capable of SMPTE Fiber (wired for 16)
  • Ikegami Cameras capable of either Triax or Fiber
  • (8) Single Mode Sheds
  • (2) LPS (HD) Cameras

LENSES

  • (1) Canon XJ100 x 9.3 with image stabilization
  • (2) Canon XJ 86 x 9.3 with image stabilization
  • (3) Canon XJ 72 x 9.3 with image stabilization
  • (2) Canon HJ 22 × 7.8
  • (1) Canon KJ 20 x 8.2
  • (1) Canon HJ 14 × 4.3 wide angle

CAMERA SUPPORT

  • (6) Vinten 750 pan heads on Quickset sticks
  • (4) ENG Miller Arrow 40 heads & sticks

FRAME SYNC  (24 Total)

  • (2) AJA FS1 HD Frame Syncs with up/down converting (2 Frame Syncs)
  • (2) AJA FS1x  HD Frame Syncs with up/down converting (2 Frame Syncs)
  • (2) AJA FS2 HD Frame Syncs with up/down converting (4 Frame Syncs)
  • (2) AJA FS4 HD Frame Syncs with up/down converting (8 Frame Syncs)
  • (1) Cobalt 9901 HD Frame Syncs with up/down converting (1 Frame Syncs)
  • (7) Cobalt 9902 HD Frame Syncs with up/down converting (7 Frame Syncs)
  • (10) Utility Cobalt Broadcast Quality Down converters
  • (10) Utility Cobalt Broadcast Quality Up converters

Fiber Transport

  • (3) AJA 2T
  • (3) AJA 2R
  • (2) AJA TR
  • (6) Black Magic T/R Cards (available in the I/O)
  • (1) AJA 2T Card (available in the I/O)
  • (2) AJA 2R Card (available in the I/O)
  • (1) 1×10 Joseph’s Fiber Mux System
  • (2) 1×4 Fiber Mux System
  • (1) 1×8 Fiber Mux System

Tape

EVS

  • (2) 8 ch EVS HD (LSM) VIA2
  • (1) 6 ch EVS HD (LSM) VIA2
  • (1) 4 ch EVS HD VIA2 Spot Box
  • (1) EVS VIA Xfile3
  • (Wired for 6 EVS)

CLIP PLAYERS

  • Lance TDC 100 Controller

Misc.

CABLE

  • 1700 feet of Triax and SMPTE (2-500’, 2-250’ and 2 100’)
  • 4800 feet of DT – 12 (4-500’, 8-250’ and 8-100’)
  • 6800 feet of SMPTE (8-500’, 8-250’ and 8-100’)
  • TAC – 12 Fiber (1) 1000′ (1) 500′ and (1) 250′

POWER REQUIREMENTS

  • 200 amps Three Phase

Additional Trucks In Our Fleet:

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